Online Journal for Iconography

Themes

Truth in Art • Vol. 8 (Winter) 2022

A Thought about Icons and Dialogue in Color with Contemporary Culture

by Stephen Muse

Truth in Art • Vol. 7 (Spring) 2021

The Elder Atanasije Breaks Through The Darkness Of Night With Prayer

by Maxim Vasiljevic

Painting Diary • Vol. 6 (Autumn) 2020

The Uneasiness in front of the White Canvas

by Stamatis Skliris

Poetics of Icon • Vol. 5 (Summer) 2020

Blessed Ephraim Katounakiotis

by Stamatis Skliris

Heart of the Icon • Vol. 4 (Summer) 2019

AΓΙΟΣ ΓΕΡΜΑΝΟΣ ΤΗΣ ΑΛΑΣΚΑΣ

by Stamatis Skliris

Fertile Roots Ideas • Vol. 4 (Summer) 2019

On the Changing Nature of Forms

by Stamatis Skliris

Heart of the Icon • Vol. 4 (Summer) 2019

Christ Pantocrator

by Stamatis Skliris

Heart of the Icon • Vol. 3 (Winter) 2019

The Light of the World: Pictorial Solace with Icons of Saints of Mount Athos

by George Kordis

Poetics of Icon • Vol. 3 (Winter) 2019

Asymmetric Symmetry of the Being

by Stamatis Skliris

Truth in Art • Vol. 2 (Spring) 2018

What Can the Christian Orthodox Icon Offer in the Post-Modern World?

by George Kordis

The heart of the icon is located behind, not in front of the official curtain. The heart of the icon is the depicted Saint himself, and not the drawing or its color. We are presenting ideas that have fertile roots. The principle (the canon) is the uniqueness of a person and nothing more. There is always space for the originality of iconographic themes. You can always express something old in a new way. The heart of the icon beats in Paradise. It is the source of the circulating blood and life within each icon. This idea promotes poetic creativity, rather than elaborate studies. Send us sketches, unfinished drawings, or pictures so that we may publish them before they're done!