Online Journal for Iconography

Latest articles

Truth in Art • Vol. 2 (Spring) 2018

What Can the Christian Orthodox Icon Offer in the Post-Modern World?

by George Kordis

Iconic Ontology • Vol. 2 (Spring) 2018

Heavenly Christ – Who is Winning and Who will win

by Stamatis Skliris

Poetics of Icon • Vol. 1 (Autumn) 2017

Reflections on the Poetic in the Art of Painting: a Personal Testimony

by George Kordis

Heart of the Icon • Vol. 1 (Autumn) 2017

The Poetics of the Icon

by Stamatis Skliris

Fertile Roots Ideas • Vol. 1 (Autumn) 2017

Girl with a Brooch

by Stamatis Skliris

Iconic Ontology • Vol. 1 (Autumn) 2017

Writing the Icons of the Iconostasis Today

by Giorgos Mylonas

Truth in Art • Vol. 1 (Autumn) 2017

Surrealist Elements in Byzantine Painting

by Stamatis Skliris

Heart of the Icon • Vol. 1 (Autumn) 2017

Painting the Icons of the Saints

by Stamatis Skliris

Heart of the Icon • Vol. 1 (Autumn) 2017

Creating a Synthesis of Iconographical Topics and Liturgical Practice of the Church

by Ignatije Midic

The heart of the icon is located behind, not in front of the official curtain. The heart of the icon is the depicted Saint himself, and not the drawing or its color. We are presenting ideas that have fertile roots. The principle (the canon) is the uniqueness of a person and nothing more. There is always space for the originality of iconographic themes. You can always express something old in a new way. The heart of the icon beats in Paradise. It is the source of the circulating blood and life within each icon. This idea promotes poetic creativity, rather than elaborate studies. Send us sketches, unfinished drawings, or pictures so that we may publish them before they're done!